EDUCATION
Design for Performance, Scenehouse Programme, 2015 (Edinburgh, UK)
BFA Theatre Design & Production, The University of British Columbia, 2009 - 2013 (Vancouver, BC)
AWARDS & NOMINATIONS
Nominated for an Off West-End Award for Best Set Design: Midnight: A New Musical, The Union Theatre, 2018
Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2013
Peter Loeffler Memorial Prize in Theatre, The University of British Columbia, 2012
Upcoming
Set Design: Selecting a Ghost, directed by Phil Cheadle, Stanley Arts
2024
Set Design: Cavalleria rusticana, directed by Harry Fehr, Blackheath Halls Opera
Associate Set Design: Die Fledermaus, directed by Simon Butteriss, IF Opera
Costume Design: The Art of Success, directed by Martin Parr, Mountview
Set & Costume Design: The Boatswain's Mate, directed by Nick Bond, Buxton International Festival
Set & Costume Design: La canterina, directed by Lysanne van Overbeek, Buxton International Festival
Set & Costume Design: Dewi in the Deep, directed by John Savournin, Royal Opera House - Clore Studio
Set & Costume Design: The Unmanageable Sisters, directed by Maisie Newman, Guildford School of Acting
Set & Costume Design: Pericles, directed by Daniel Hill, Guildford School of Acting
Set & Costume Design: Tartuffe, directed by Dominic Burdess, Guildford School of Acting
2023
Set & Costume Design: The Unreturning, directed by Esther Dix, Italia Conti
Set & Costume Design: Emilia, directed by Justina Kehinde, Italia Conti
Set & Costume Design: Rip Van Winkle, directed by Evangeline Cullingworth, Gothic Opera - Hoxton Hall
Set Design: Semele, directed by Harry Fehr, Blackheath Halls Opera
Set & Costume Design: Captain Blood's Revenge, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Three Children's Operas, directed by Genevieve Raghu, Norfolk Into Opera Festival
Set & Costume Design: Broken Toys, directed by Raymi Ortuste, Cervantes Theatre
Set & Costume Design: Oil, directed by Andrea Ling, Hoxton Hall - East 15 Acting School
Set & Costume Design: Mary Lamb, directed by Matthew Lloyd, Hoxton Hall - East 15 Acting School
Set & Costume Design: Away, directed by Andrew Davidson, Guildford School of Acting
Set & Costume Design: Coram Boy, directed by Sabina Netherclift, Guildford School of Acting
Set Design: Cartas Vivas, directed by Paula Paz, Teatro de La Abadía (Madrid) & Teatro Corral de Comedias (Alcalá de Henares)
2022
Set & Costume Design: Candide, directed by Seb Harcombe, Blackheath Halls Opera
Set Design: Cartas Vivas, directed by Paula Paz, Cervantes Theatre
Costume Supervisor: The Rake's Progress, designed by Anna Jones (Curious Space), Royal Academy of Music
Set & Costume Design Facilitator: MA Directors Festival, Mountview
Costume Supervisor: Lamento D'Arianna, Ariadne Auf Naxos, & Witch (Triple Bill), designed by April Dalton, Royal Academy of Music
Set & Costume Design: The Tight Squeeze, directed by Danny Romeo, Institute for Contemporary Theatre
2021
Set & Costume Design: Against, directed by Jemima James, Guildford School of Acting
Set & Costume Design: The Welkin, directed by Sean Linnen, Guildford School of Acting
Associate Designer: Department Story, designed by Ryan Dawson Laight, Big Telly Theatre Company
Set Design: Elf Factory, directed by Zoe Seaton, Big Telly Theatre Company
Set & Costume Design: Happened 1990, Half Moon Theatre (Five Short Films with Youth Theatre Groups)
Set & Costume Design: Spend Spend Spend, dir. by Stewart Nicholls, Guildford School of Acting (Filmed Production)
Set & Costume Design Consultation: Catalyst Festival 2021, MA Theatre Directing, Mountview Academy
Set & Costume Design: Hamlet, directed by Jemima James, Guildford School of Acting (Filmed Production)
Set & Costume Design: Image of an Unknown Young Woman, directed by Heather Carroll, Guildford School of Acting (Filmed Production)
Set & Costume Design: Red Velvet, directed by Nicholai La Barrie, Guildford School of Acting (Filmed Production)
2020
Production Design: A Journey Through The Rake's Progress, directed by James Hurley, Blackheath Halls Opera (Film)
Set & Costume Design Consultation: Catalyst Festival 2020, MA Theatre Directing, Mountview Academy
Set Design & Build: Moss Bros Winter Gifting Campaign 2020, coordinated by Eve Obayoriade, Moss Bros
2019
Set & Costume Design: Sleeping Beauty, directed by Charlie Westenra, Guildford School of Acting
Set & Costume Design: All About My Mother, directed by Hannah Bannister, Guildford School of Acting
Set & Costume Design: Love and Information, directed by Sean Linnen, Guildford School of Acting
Set Design & Build: Moss Bros Winter Gifting Campaign 2019, coordinated by Eve Obayoriade, Moss Bros
Costume Design: The Crucible, directed by Katarzyna Deszcz, Guildford School of Acting
Set Design: The Day the Crayons Quit, directed by Jonathon Boustead, St Paul’s School
2018
Set & Costume Design: Midnight: A New Musical, directed by Kate Golledge, The Union Theatre
Design Associate: Describe the Night, designed by Polly Sullivan, Hampstead Theatre
Set & Costume Design: Giulio Cesare, directed by Greg Eldridge, Bury Court Opera
2017
Set Design: The Marriage of Figaro, directed by Greg Eldridge, Xi’an Concert Hall
Design Associate: Years of Sunlight, designed by Polly Sullivan, Theatre 503
Design Associate: The Cherry Orchard, designed by Polly Sullivan, Guildhall School of Music & Drama
Design Associate: Hamlet, designed by Polly Sullivan, The Park Theatre
Set & Costume Design: One Last Thing For Now, directed by Lilac Yosiphon, Old Red Lion Theatre
Set & Costume Design: Vinegar Tom, directed by Emily Jenkins, The University of Northampton, Royal & Derngate
2015
Set Design: Dirty Rotten Scoundrels, directed by Carole Higgins & Katrina Dunn, Carousel Theatre for Young People/Touchstone Theatre
Set Design: Shakespearean Rhapsody, dir. by Carole Higgins, Carousel Theatre for Young People
2014
Set Design: The Seagull, directed by Kathleen Duborg, UBC Theatre
Stop-Motion Art Department: Windy and Friends, created by Judith Steedman & Robin Mitchell-Cranfield, Twofold Films Inc./Loud Crow Interactive (Vancouver)
2013 and Previous
Properties Shop Assistant: The Frederic Wood Theatre, The University of British Columbia (Vancouver), 2011 - 2013
Costume Design: Blood Relations, directed by Jennette White, UBC Theatre
Props Design: Hamletmachine, directed by Ines Ortner, UBC Theatre/Project Ophelia
Costume Design: Our Country’s Good, directed by Chris Robson, UBC Players
WORKSHOPS & TEACHING
Visiting Workshop Leader: Production Arts, The BRIT School, February 2022 - May 2022
Set Design & Model Making Tutor: Production Arts, The BRIT School, January 2021 - July 2021
Visiting Workshop Leader: Get Designing!, Chichester Festival Theatre, 2018 - 2020
Set Design & Making Workshop Leader: St Paul's Juniors, St Paul's School, 2019 - 2020